Some Testimonials

LA SCORING STRINGS

I find myself turning to the LASS library for many interesting and useful performance articulations and dynamics that I don’t have with any other library.

Danny Elfman, Oscar™ nominated

Danny Elfman

“The LASS string library has been my newest addition to my orchestral sample library and has been a great help. Working now on the score to ‘Alice in Wonderland’, I find myself turning to the LASS library for many interesting and useful performance articulations and dynamics that I don’t have with any other library. It’s proving to be very versatile and intuitive. I’m having a great time using the portamento which has always been a problem in the past, and is a large part of this score.”

LASS is a quantum leap forward in giving me the creative tools to produce realistic mock-ups of my cues.

John Debney, Oscar™ nominated

John Debney

“I have a myriad of tools at my disposal. None is more crucial to the creative process than the sonic quality of my mock-ups. Presenting to a director a fully orchestrated and realized demo is of paramount importance.  LASS is a quantum leap forward in giving me the creative tools to produce realistic mock-ups of my cues. I love the new library and am already using it on two films. I recommend the library highly!”

LASS sounds fantastic and is more flexible than any previous library when it comes to assembling various size sections.

Danny Lux, 2 x Prime Time Emmy™ nominiee

Danny Lux

“LASS sounds fantastic and is more flexible than any previous library when it comes to assembling various size sections. If I want the violins to be a small section, large section, with a lot of vibrato, no vibrato, or any where in between I can create it with ease. The programming is exceptional, easy to use and the scripts are very unique.”

“…amazing scripts are unmatched in this regard.

“When I compose my scores, detail and expressive range are crucial. LA Scoring Strings with its extensive divisi sections, first chair solo instruments and amazing scripts are unmatched in this regard.
”

Jan A.P. Kaczmarek, Oscar™ winning composer

“…a wonderfully organic-sounding library and is part of my current template.

“Being able to have total speed control of the portamentos and glissandos in real-time is fantastic… especially when you can do it with different divisi sections! And another salient thing for me is the Spiccato string engine (the A.R.T script)… there is nothing like it on the market. LASS is a wonderfully organic-sounding library and is part of my current template.”

David Newman, Oscar™ nominated composer

Modern Scoring Strings

I am finding this to be the most versatile string library I have by far. I'm impressed, VERY impressed.

Paul Rucker, Composer

Paul Rucker

“After a couple of weeks using MSS for all strings duties across multiple styles of music including si-fi, typical full orchestral, funk, and even an older Motown vibe, I am finding this to be the most versatile string library I have by far. I’m impressed, VERY impressed. I don’t find myself even thinking of reaching for another library at this point…”

MSS looks set to leap straight into the ‘best string libraries’ lists alongside its predecessor.

Sound On Sound

Dave Stewart

“MSS looks set to leap straight into the ‘best string libraries’ lists alongside its predecessor.”

The sound and articulations are incredible.

Brian Shepard, Composer

Brian Shepard

“Congratulations on MSS. Just the little bit of time I’ve been working with it has been fantastic. The sound and articulations are incredible.”

“Sonically rich, detailed, and expansive.

“Fantastically useful in the studio! Sonically rich, detailed, and expansive. LASS allows you to quickly access a range of articulations placing the focus firmly on creativity and not endless programming. Intuitive, simple to use, and well thought out from a player’s perspective. Having strings of this quality at your fingertips is very, very powerful!”

Trevor Horn, Grammy® Award winning producer

“…the main backbone of my scoring template..

“LA Scoring Strings are the main backbone of my scoring template. They especially get heavy use in ‘Star Wars: The Clone Wars’ and these are the ONLY samples that can pull off those legit licks with stunning realism. This is what real strings sound like! No other library I own comes close to the realism and expressive emotion that the LA Scoring Strings give me.”
— Kevin Kiner
”

Kevin Kiner, Star Wars Clone Wars, CSI...

MSS Expanded Legato

I find the expanded legatos exceptional when I need that tone.

Trevor Meier, Composer

Trevor Meier

“I find the expanded legatos exceptional when I need that tone.”

For me, MSS with the additional processing is the clear winner.

Duncan Krummel, Composer

Duncan Krummel

“For me, MSS with the additional processing is the clear winner.”

MSS looks set to leap straight into the ‘best string libraries’ lists alongside its predecessor.

Dave Stewart, Composer & writer for Sound On Sound

Dave Stewart

“MSS looks set to leap straight into the ‘best string libraries’ lists alongside its predecessor.”

“…essential to my creative process.

“From sketching concert pieces to producing epic trailers, LASS is essential to my creative process. The way the library sounds and plays makes writing intuitive and makes demos sound amazing. I have other string libraries but I always reach for LASS first. All my projects with strings start (and usually finish) with LASS.”

Lucas Cantor, 2 x Emmy™ awarded composer

MODERN SCORINGS BRASS

This brass library is by far the best I've ever heard. It's a GAME CHANGER!

Rolf Krueger, Composer

Rolf Krueger

“This brass library is by far the best I’ve ever heard. It’s a GAME CHANGER! Big congratulations. So much fun to work with, stunning!!!

    MSB is a FANTASTIC brass library... and MSB will be the backbone for my brass template going forward.

    Nathan Furst, Composer

    Nathan Furst

    “MSB is a FANTASTIC brass library, with more real-time playable flexibility WHILE still having a good “cleanly recorded” sound than any brass library I’ve used, and MSB will be the backbone for my brass template going forward.”

      I actually thought the first play-through was a John Williams reference recording, MSB is that good.

      Russell Anderson, Composer

      Russell Anderson

      “I actually thought the first play-through was a John Williams reference recording, MSB is that good.”

        GENESIS CHILDREN’S CHOIR

        Genesis Children’s Choir runs rings around what has passed as a Children's Choirs thus far.

        bd, samplelibraryreview

        bd

        “With a pristine sample set, wonderful playback, and deep controls, Genesis Children’s Choir runs rings around what has passed as a Children’s Choirs thus far. I can’t wait to see what AudioBro do next inside the powerful engine they have created for this library!”

        Audiobro really knocked it out of the park with this one.

        Brent Randall, Composer

        Brent Randall

        “It sounds amazing, looks beautiful, and has enough sound design possibilities to warrant two separate products.

        Audiobro really knocked it out of the park with this one.”

        Genesis is definitely a game-changer in terms of playability, options, and features.

        Mike Fox, Composer

        Mike Fox

        “Genesis is definitely a game-changer in terms of playability, options, and features. The fact that it’s divisi is absolutely awesome and gives you a ton of variety.”

        LA DRAMA DRUMS

        LADD - what a killer library!!! After a few hours, I can vouch that you can tell that it was made/directed by composers.

        Ned Bouhalassa, Composer

        Ned Bouhalassa

        “LADD – what a killer library!!! After a few hours, I can vouch that you can tell that it was made/directed by composers.”

        If you really need another drum library, I'll say 'yes, this one'.

        Tim Heinrich – Recording.de

        Tim Heinrich

        “Audiobro has launched a real surprise with LADD. If you’re wondering if you really need another drum library, I’ll say ‘yes, this one’.”

        I've been surprised how much I needed LADD even with so many other perc libraries in my arsenal.

        windshore, Composer

        windshore

        “I’ve been surprised how much I needed LADD even with so many other perc libraries in my arsenal.”